Prisons

  • mumford_feature

    15 Years into the War in Afghanistan, an Embedded War Artist Looks Back

    October 18, 2016 - 

    Steve Mumford was embedded as an artist with US military troops in Afghanistan and Iraq. 15 years into the war, Mumford discusses continuing the tradition of WWII war artists in 21st century combat zones.  More
  • GettyImages-486425287_feature

    You Are All Terrorists: The “Sanitization” of a Nairobi Suburb

    July 29, 2015 - 

    Inside the profiling, imprisonment, and violence facing Kenya’s Somali community.  More
  • Molly Crabapple

    The United States Wants the World to Forget These Prisoners

    July 21, 2014 - 

    A product of the war on terror, Communications Management Units (CMUs) have cut hundreds of Americans—most of whom are Muslim—off from the outside world, often by labeling their acts of dissent “terrorism.”  More
  • Ahmet Ogut editor's letter

    Editor’s Letter – April 2014

    April 1, 2014 - 

    Artist Ahmet Ögüt speaks with Creative Time Reports Editor Marisa Mazria Katz about withdrawing from the 19th Biennale of Sydney, along with several other participating artists, until the biennale’s board severed ties to a corporation profiting from Australia’s mandatory detention policies.  More
  • PussyRiot_thumb

    An Open Letter From Pussy Riot

    February 6, 2014 - 

    In an open letter, anonymous members of Pussy Riot announce a split from their formerly imprisoned colleagues, Maria Alyokhina and Nadezhda Tolokonnikova, citing ideological differences and emphasizing their ongoing dedication to radical feminist politics.  More
  • 1. MichaelMandiberg_BearSterns_NewYorkNY_2008

    Editor’s Letter

    It has been five years since Occupy Wall Street burst onto the scene at Zuccotti Park in New York City’s financial district. In this month’s editor’s letter, Marisa Mazria Katz speaks with interdisciplinary artist Michael Mandiberg about FDIC Insured, an ongoing visual archive chronicling the failure of banks and subverting the banking system’s aesthetics of permanence and potency.

    More


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