About

Creative Time Reports strives to be a global leader in publishing the unflinching and provocative perspectives of artists on the most challenging issues of our times. We distribute this content to the public and media free of charge.

Asserting that culture and the free exchange of ideas are at the core of a vibrant democracy, Creative Time Reports aims to publish dispatches that speak truth to power and upend traditional takes on current issues. We believe that artists play a crucial role as thought leaders in society, and are uniquely capable of inspiring and encouraging a more engaged and informed public, whether they are addressing elections or climate change, censorship or immigration, protest movements or politically motivated violence.

In an era of unprecedented interconnectedness, Creative Time Reports provides artists with a space to voice analysis and commentary on issues too often overlooked by mainstream media. We believe in the importance of highlighting cultural producers’ distinctive viewpoints on world events and urgent issues of social justice to ensure a livelier, more nuanced and more imaginative public debate.

The views expressed by artists and authors contributing to Creative Time Reports are those of the contributors and do not necessarily reflect the views of Creative Time. Creative Time is committed to free expression and supports artists in their efforts to move the needle of social justice by revealing new ways of looking at and understanding our world.

 

Editorial Team

Editor

Marisa Mazria Katz @MarisaMazriaK

Marisa is a New York-based writer who has covered culture and politics in cities that include Casablanca, Kabul, Port-au-Prince and Istanbul. Her work has been featured in several publications, such as the Wall Street Journal, Financial Times, Time, Vogue and the New York Times. In addition to her writing, she runs a U.S. State Department-sponsored program in Casablanca that teaches journalism and blogging to marginalized youth.

Marisa graduated from New York University’s Tisch School of the Arts in 1998 with a BFA in Film and Television and in Drama. She has worked on several documentaries and television shows, including Channel 4’s The Shooting of Thomas Hurndall, a docudrama that detailed the killing of a peace activist by an Israeli army sniper; HBO’s By The People: The Election of Barack Obama; and DreamWorks’ Spin City.

 

Rachel TMR photo

Associate Editor

Rachel Riederer @Readerer

Rachel is a writer and editor based in New York. She writes about science, policy, and the environment, and the ways that these connect to popular culture. Her essays and reportage have appeared in The Nation, The New Republic, Dissent, Tin House, Best American Essays, and others. Before joining Creative Time Reports Rachel was the editor of the Daily section of Guernica: a magazine of art and politics.

Rachel holds a BA in Environmental Science and Policy from Harvard and an MFA in Nonfiction Writing from Columbia. She has taught academic writing at Columbia University and at the City University of New York.

 

Editor-at-Large

Kareem Estefan @KareemEstefan

Kareem joined Creative Time in summer 2012 after working at the at the Creative Capital | Warhol Foundation Arts Writers Grant Program and completing an MFA in Art Criticism & Writing at the School of Visual Arts. In addition to his work for Creative Time Reports, Kareem writes about contemporary art and performance for publications including Art in America, Art-Agenda, Art Newspaper, BOMB, The Brooklyn Rail, The New Inquiry and T Magazine. He also teaches writing and literature at the Visual & Critical Studies department at the School of Visual Arts. Previously, Kareem worked as an editorial assistant at NPR’s Talk of the Nation and hosted a WNYU radio show for conceptually innovative poetry, Ceptuetics, archived at UPenn’s PennSound.

Editorial Interns

Olivia el-Sadr Davis
Mohammed Ndiyae
Abigail Taubman

Contributing Editors

 

Mirene-Arsanios_bioMirene Arsanios lives in Beirut, where she teaches at the American University of Beirut and edits Makhzin, a bilingual literary journal. Her writings have appeared in Bidoun, Cura, The Rumpus, Ink & Coda and Enizagam, among others.


Omar-Berrada_bioOmar Berrada is a writer, translator and curator. He co-directs Dar al-Ma’mûn, a library and international residency for artists and writers near Marrakech.


Lorna-Brown_bioLorna Brown is an artist, curator and writer based in Vancouver, and a founding member of Other Sights for Artists’ Projects, a collective whose projects consider the aesthetic, economic and regulatory conditions of public places and public life. She was the editor of Ruins In Process: Vancouver Art in the Sixties, a co-curator of the public artwork Digital Natives and an organizer of the conference Institutions by Artists.


Sheyma-Buali_bioSheyma Buali (@sheymab) lives in London. She is currently managing the BBC Arabic Film and Documentary Festival. She is also commissioning editor of the Ibraaz Channel, culture correspondent for Asharq AlAwsat and a regular contributor to a number of international arts publications.


CE_cvn_2_bioCeren Erdem (@crnrdm) is a curator based in New York and Istanbul. She has curated online projects and publications, and onsite exhibitions in New York, Istanbul and Seoul, working with the Istanbul Biennial and the British Council, among others.


Naomi-Lev_bioNaomi Lev is a curator and critic who writes about politically-infused contemporary art for Artforum.com, Art in America and BOMB Magazine, among other publications. As a curator she specializes in collaborative art events that connect artists, curators and scholars, and has curated performances and panels with artists such as Jonathan Meese and Vito Acconci.


Ngwatilo-Mawiyoo_bioNgwatilo Mawiyoo (@ngwatilo) is a poet currently competing an MFA at the University of British Columbia. A Callaloo Fellow, she also writes non-fiction and work for the screen.


Patrick-Pierce_bioPatrick Pierce (@TJMyanmar, @peajaypee) is a writer and researcher with roots in Indiana, Texas, Thailand, the Solomon Islands and Myanmar. He is currently working on a project about freedom of expression and the culture of fear following decades of military rule in Myanmar.


Ben-Valentine_bioBen Valentine (@bennnyv | benjaminvalentine.com) is an independent writer and organizer who studies how technology, media and politics intersect around the world. He has written and spoken for SXSW, Salon, SFAQ, YBCA and The New Inquiry, to name a few.

 
 

Editorial Advisors

Nato Thompson, chief curator, Creative Time

Since January 2007, Nato has organized major projects for Creative Time such as The Creative Time Summit (2009 and 2010); Paul Ramirez Jonas’s Key to the City (2010); and Jeremy Deller’s It is What It Is, with New Museum curators Laura Hoptman and Amy Mackie (2009). Previously, he worked as Curator at MASS MoCA where he completed numerous large-scale exhibitions. His writings have appeared in numerous publications, including BookForum, Frieze, Art Journal, Art Forum, Parkett, Cabinet, and The Journal of Aesthetics and Protest. The College Art Association conferred on him as award for distinguished writing in Art Journal in 2004. He curated the exhibition for Independent Curators International titled Experimental Geography, with a book available by Melville House Publishing. His forthcoming book, Seeing Power: Socially Engaged Art in the Age of Cultural Production, will be published by Melville House.

Anne Pasternak, president and artistic director, Creative Time

Anne Pasternak joined Creative Time in the fall of 1994. Since that time, the organization has collaborated with hundreds of artists to ignite the public’s imagination, explore ideas that shape society, and bring groundbreaking public art to millions of people around the world. Under her leadership, Creative Time has produced such renowned projects as Playing the Building, during which the Battery Maritime Building was transformed into an interactive musical instrument; Tribute in Light, the twin beacons of light that illuminated the former World Trade Center site six months after 9/11; Waiting for Godot in New Orleans, a restaging of Samuel Beckett’s play in the streets of post-Katrina New Orleans; and a Global Residency program that supported artists’ processes in exploring questions central to their practice. Along with her work at Creative Time, Pasternak curates independent exhibitions, consults on urban planning initiatives, and contributes essays to cultural publications. She lectures extensively throughout the United States and Europe, and has served as a guest critic at Yale University.

 

Advisory Committee

Paola Antonelli, director of research and development, Department of Architecture and Design, The Museum of Modern Art

Negar Azimi, senior editor, Bidoun magazine

Shumon Basar, writer, editor and curator

Sunny Bates, president and chief executive officer, Sunny Bates Associates

Jeff Chang, journalist, music critic and executive director, Institute for Diversity in the Arts + Committee on Black Performing Arts, Stanford University

Ken Chen, director, Asian American Writers’ Workshop

Michelle Coffey, executive director, Lambent Foundation

Malkia Cyril, founder and executive director, Center for Media Justice

Beka Economopoulos, co-founder, Not An Alternative

Jordan Flaherty, journalist and author, Floodlines

John Forte, chief executive officer, Le Castle

Kate Fowle, director-at-large, Independent Curators International

Gridthiya Gaweewong, independent curator and co-founder, Project 304

Mariam Ghani, artist, Kabul Reconstructions

Wayne Koestenbaum, poet and cultural critic

Liz Manne, principal, Liz Manne Strategy

Leonidas Martin, artist

Cuauhtémoc Medina, art critic, curator and historian

László Jakab Orsós, director, PEN World Voices Festival and Public Programs

Max Osterweis, creative director and founder, SUNO

Jack Persekian, director, Al–Ma’mal Foundation

Alessandro Petti, Decolonizing Architecture

Favianna Rodriguez, printmaker and digital artist

Jack Rosenthal, president emeritus, The New York Times Company Foundation

Dan Rothenberg, founding member and co-artistic director, Pig Iron Theatre Company

Rasha Salti, writer, independent curator and international programmer, Toronto International Film Festival

Clay Shirky, writer and assistant arts professor, Interactive Telecommunications Program, Tisch School of the Arts, New York University

Joshua Siegel, associate curator, Department of Film, The Museum of Modern Art

Ivan Sigal, executive director, Global Voices

David Weiner, editorial director, Digg.com

Hank Willis Thomas, photo and conceptual artist

Eddie Torres, associate director, The Rockefeller Foundation

Anton Vidokle, artist and founder, e-flux


  • editor's thumb

    Editor’s Letter

    In this month’s Editor’s Letter, Marisa Mazria Katz interviews the founders of Budapest’s OFF-Biennale, who are carving out a space for artists working outside the government-funded scene.

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